De fil en aiguille, la broderie dans l'art contemporain. Extrême-Orient Editeur : Paris Musées

Editeur : Paris Musées

and here more specifically ceramic decorations

"On the diffusion of some Corinthian stylistic models in the colonial world of the second half of the 7th century" by Francis Croissant

re-semanticized

on Rives rag vellum

De fil en aiguille, la broderie dans l'art contemporain. Extrême-Orient Editeur : Paris MuséesIn the 1960s, feminist artists took up needlework and used embroidery in their works, thus moving the technique away from being considered a primarily feminine hobby and away from the realm of crafts. Whether academically or with complete freedom, the contemporary embroiderers encountered by Charlotte Vannier use all sorts of media (cotton canvas, photographs, plastic, food, wire mesh) to create miniature or colossal, monochrome or variegated,