Les peintres français au Maroc (1912-1956): Le Maroc des peintres français (1912-1956) De l'orientalisme à l'art colonial. Dictionnaire des peintres français au Maroc (1912-1956). Epigraphie Bairei and Hasui

Bairei and Hasui

the Deutsche Forschungsgemeinschaft

It draws on the structuralist approach to texts

this unfinished play from 1940 presents itself as a dramatized biblical fable

at the cutting edge of technology from the late 18th and early 19th centuries

Les peintres français au Maroc (1912-1956): Le Maroc des peintres français (1912-1956) De l'orientalisme à l'art colonial. Dictionnaire des peintres français au Maroc (1912-1956). Epigraphie Bairei and HasuiThe work is presented in the form of two volumes brought together in a box: the first studies the transformation of orientalism into colonial art through the example of French painters who left for Morocco during the colonization. The second volume is a dictionary of these 470 artists. From the 1890s and during the first half of the 20th century, artistic Orientalism gradually disappeared to give way to colonial art. This evolution is the reflection