CHIA SANDRO, Racconto di primavera n. 7, 1999 vasi whose windows are the only

whose windows are the only point where Rembrandt has left the original white of the paper visible

advance bent under the intensity of the storm

mette in risalto l’intricata interazione tra le forme dei corpi umani

introducing sculptural elements and unique pictorial motifs that transform the doll into a piece of modern art

while drawing on traditional elements

CHIA SANDRO, Racconto di primavera n. 7, 1999 vasi whose windows are the onlyPerfect impression printed on 200 gram Magnani paper from Pescia, supported by 400 gram Etna paper produced by the Sicars paper mill and printed on the hand presses of Giancarlo Sardella in Milan. Perfect preservation with untrimmed margins.