KŌRIN FURUYA, Kōrin-style Patterns n. 10, 1897 sculture he left his studies in

he left his studies in law and the textile industry to dedicate himself to painting in 1960

evolving from early figurative studies to the geometric rigor of the post-war period

girls and nymphs in ethereal

Complete preservation

Ryūkatei Tanekazu in the spring of 1851 writes:

KŌRIN FURUYA, Kōrin-style Patterns n. 10, 1897 sculture he left his studies inStunning proof with excellent colors, in the first edition. Printed on paper from Japan during the Meiji era (18681912). In exceptional condition, with untrimmed margins all around. Bibliography J. T. Carpenter, Designing Nature: The Rinpa Aesthetic in Japanese Art, The Metropolitan Museum of Art, 2012, p. 111 J. Hillier, The Art of the Japanese Book, London: Sothebys, 1987 A. Jackson (ed.), Kimono: The Art and Evolution of Japanese Fashion, London: