KŌRIN FURUYA, Kōrin-style Patterns n. 74, 1897 sculture which serve as a bridge

which serve as a bridge between the human and divine worlds

in Sagami province

Then Simeon blessed them and said to Mary

NoName letteralmente significa “senza nome” e vuole evocare tutti gli sconosciuti

Those who have never traveled will find in these pages a valuable guide

KŌRIN FURUYA, Kōrin-style Patterns n. 74, 1897 sculture which serve as a bridgeStunning proof with excellent colors, in the first edition. Printed on paper from Japan during the Meiji era (18681912). In exceptional condition, with untrimmed margins all around. Bibliography J. T. Carpenter, Designing Nature: The Rinpa Aesthetic in Japanese Art, The Metropolitan Museum of Art, 2012, p. 111 J. Hillier, The Art of the Japanese Book, London: Sothebys, 1987 A. Jackson (ed.), Kimono: The Art and Evolution of Japanese Fashion, London: