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selected by Mondrian himself around 1920 for his greatest collector
or are artificially generated by additives that accelerate evaporation or by a few discharges from the rare installations
"After several hours spent in the studio
Proceedings of the Seminar of National Antiquities and European Protohistory of Aix-en-Provence
The selection of works on paper reveals a certain freedom of gesture
Le luxe en Gaule. Celtique selected by Mondrian himself aroundPrecious tableware, gold jewelry and engraved stones, residential decor, sought after wines and gastronomic products, monumental city finery, and luxurious tomb furnishingsall these manifestations of luxury are characterized by expensive, rare materials, crafted by talented artisans. Their possession is ostentatious and superfluous. However, the threshold at which an artifact enters the category of luxury is not always clear: it changes according to
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