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Molnár set up in the 1960s a mode of production that she called "imaginary machine" before becoming the first artist in France (1968) to produce digital drawings using a computer connected to a plotter
one might say
brings together numerous works
and should fascinate all those who are interested in China
These literary testimonies are accompanied by a rich iconography
Etincelles d'humanité. Histoire de l’art Molnár set up in the
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