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and designer active in the artistic circle of Kyoto during the Meiji period
while the other looks ahead with a curious expression
On the sheet
and from that moment on
Hokusai's apparatus thus appears more as an emblem: a visual synthesis of his interest in Western science and his attraction to order
HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 71, 1836-1847 sculture and designer active in theBeautiful proof with good contrasts, attributable to the print run of Eirakuya Tshir (mid 19th century) from the original woods of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line. Annotated Bibliography H. D. Smith II, Hokusai: One Hundred Views of Mt. Fuji, New York: George Braziller, 1988 M. Forrer, Hokusai, London: Royal Academy of Arts, 1991 M. Forrer, Hokusai, New
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