Maroc, une identité moderne. Numismatique How Caesar falsified the historical

How Caesar falsified the historical facts of the Gallic Wars to turn them into his own glorification

l'amour ou encore la couleur que nous traversons l'histoire de la photographie mais aussi la façon de la pratiquer

which serve as a manifesto and artistic theory

from the Celtic world to the Greco-Roman realm

present Seneca to us almost naked

Maroc, une identité moderne. Numismatique How Caesar falsified the historicalIn the aftermath of Moroccan independence, as artistic avant gardes emerged in non aligned countries, in reaction to Westernized education, the artists of the Casablanca Group Farid Belkahia (1934 2014), Mohamed Chaba (1935 2013) and Mohamed Melehi (born in 1936) sought the source of a new modernity in the crossbreeding with the vernacular production of their country. In a moment of symbiosis between individual creation, interventions in public space