Michel Ocelot artificier de l'imaginaire. Bretagne although he never sought notoriety

although he never sought notoriety

and parents ignore children's rights (1959)

received his first apprenticeship in the Byzantine tradition before completing his training in Venice and then in Rome

L'histoire

et jusqu'à la notion même d'oeuvre d'art

Michel Ocelot artificier de l'imaginaire. Bretagne although he never sought notorietyAuthor of a substantial body of work that shakes up current practices in animation and of a film, Kirikou and the Witch (1998), which marks a decisive turning point for the French animation industry, Michel Ocelot establishes himself as one of the major figures of this art. His animated films are recognizable, among other things, by their elegant compositions and sumptuous sets, a legacy of the paper theaters of the Imagerie d'pinal. Their aesthetics